Fix dead image in mark's tutorial

diff --git a/pixelart/mark_colours.md b/pixelart/mark_colours.md
index 5563fc2fc6efd71d96d8f92012e885f122d72e27..05ebbd0963a80803dca0a462c9786092d4c369a6 100644 (file)
--- a/pixelart/mark_colours.md
+++ b/pixelart/mark_colours.md
@@ -11,13 +11,10 @@ Computers use a combination of three different colours to create a single pixel
 Inside a computer, each of these three colours is given a value from 0 to 255, where 0 means 'none' and 255 means 'a lot of' 
 These colours can be mixed in varying amounts to generate different single colours on a pixel, like paint. However some of the colours generated are not what you would expect from mixing paints. 
 
-*255 , 0 , 0* gives a very bright red. 
-
-*1 , 1 , 1* gives black. 
-
-*255 , 255 , 255* gives pure white. 
-
-*140 , 140 , 140* gives a medium grey. 
+- *255 , 0 , 0* gives a very bright red. 
+- *1 , 1 , 1* gives black. 
+- *255 , 255 , 255* gives pure white. 
+- *140 , 140 , 140* gives a medium grey. 
 
 NOTE - 0 , 0 , 0 is often reserved for a special case - *transparency*
 

diff --git a/pixelart/mark_shading.md b/pixelart/mark_shading.md
index 69dbd33f383f7d3932da9414e8ed7e73ce029302..a0bcf7cfc5526c1d00b5f9f929866e190cad9306 100644 (file)
--- a/pixelart/mark_shading.md
+++ b/pixelart/mark_shading.md
@@ -52,7 +52,7 @@ These principles apply even more simply to a flat-sided shape.
 A sphere is a rather boring and sterile object though. The same principles can be applying to a more interesting, less uniform object like this fat little creature :
 
 ![][fatfella]
-<img src="/pixelart/images/fatfella.gif" width="356" height="178">
+<img src="/pixelart/images/mark_fatfella.gif" width="356" height="178">
 
 Note how planes facing towards the light source are brightened, and those facing away dimmed. A good understanding of the three dimensional form of your piece is vital for shading, so that you can identify the amount of light these surfaces receive and shade appropriately.
 In this example I have used a darker base colour and worked more toward the lighter end of the spectrum. The darker shadows are still there, but the overall effect is the lightening of the flesh to a tone I felt was more appropriate.